Julia Holter’s Hypnotic Chamber Pop


Julia Holter
Have You in My Wilderness
Domino

        

Soothing and gently unsettling at once, Julia Holter’s beguiling fourth album could be the elusive music you hear in an intense but puzzling dream. The Los Angeles native’s graceful chamber pop is distinguished by an appealing lightness of touch, both in the string-centric arrangements and her placid vocals, with occasional detours into Nico-like gravity. While artfully crafted lyrics abound, they never diminish the primal power of the hypnotic melodies, tending more to delicate allusion—note the recurring aquatic imagery—than literal insistence, aside from the anguished query “What did I do to make you feel so bad?” Offering different subtle pleasures with each hearing, Have You in My Wilderness promises to have a long shelf life.

DOES IT FEEL LIKE POLITICS IS AT A BREAKING POINT?

Headshot of Editor in Chief of Mother Jones, Clara Jeffery

It sure feels that way to me, and here at Mother Jones, we’ve been thinking a lot about what journalism needs to do differently, and how we can have the biggest impact.

We kept coming back to one word: corruption. Democracy and the rule of law being undermined by those with wealth and power for their own gain. So we're launching an ambitious Mother Jones Corruption Project to do deep, time-intensive reporting on systemic corruption, and asking the MoJo community to help crowdfund it.

We aim to hire, build a team, and give them the time and space needed to understand how we got here and how we might get out. We want to dig into the forces and decisions that have allowed massive conflicts of interest, influence peddling, and win-at-all-costs politics to flourish.

It's unlike anything we've done, and we have seed funding to get started, but we're looking to raise $500,000 from readers by July when we'll be making key budgeting decisions—and the more resources we have by then, the deeper we can dig. If our plan sounds good to you, please help kickstart it with a tax-deductible donation today.

Thanks for reading—whether or not you can pitch in today, or ever, I'm glad you're with us.

Signed by Clara Jeffery

Clara Jeffery, Editor-in-Chief

payment methods

We Recommend

Latest