Ana Tijoux Waxes Political With “Vengo”

Ana Tijoux

Nacional Records

Felipe Cantillana/Wikimedia Commons

Ana Tijoux (read our past interview with her here) grew up amid political upheaval and turmoil in Chile; the rise of the Pinochet regime prompted her family to flee for France, and it wasn’t until the 1990s that Tijoux returned home—so it’s little surprise the MC—who gained international notoriety when the track from her sophomoric solo album, “1977,” was featured in an episode of Breaking Bad—raps about power, government, and community. In Vengo, the follow-up to Grammy-nominated La Bala, Tijoux sings in Spanish over pan flutes and horn-heavy beats, situating herself somewhere between local Andean music and global hip-hop. In the title track, which exemplifies the album’s dialog between these worlds, she raps confidently over a banging beat about her ancestry and the possibilities of revolution.

I come for answers
With a bundle of full and open veins
I come as an open book eager to learn the untold story of our ancestors…

I come to build a dream
The brightness of life that inhabits the new man
I come looking for an ideal of a world without
Class that can rise up


Headshot of Editor in Chief of Mother Jones, Clara Jeffery

It sure feels that way to me, and here at Mother Jones, we’ve been thinking a lot about what journalism needs to do differently, and how we can have the biggest impact.

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We aim to hire, build a team, and give them the time and space needed to understand how we got here and how we might get out. We want to dig into the forces and decisions that have allowed massive conflicts of interest, influence peddling, and win-at-all-costs politics to flourish.

It's unlike anything we've done, and we have seed funding to get started, but we're looking to raise $500,000 from readers by July when we'll be making key budgeting decisions—and the more resources we have by then, the deeper we can dig. If our plan sounds good to you, please help kickstart it with a tax-deductible donation today.

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Signed by Clara Jeffery

Clara Jeffery, Editor-in-Chief

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