Designing Obama

Let our journalists help you make sense of the noise: Subscribe to the Mother Jones Daily newsletter and get a recap of news that matters.


A political campaign is a thinly veiled form of advertising, but logo design—one of the oldest branding techniques of the ad game—has historically been cast aside by political world, which prefer to restrict its bumper stickers and promotional materials to a sea of bland stars and stripes. Until Obama ’08. At once traditional and innovative, the Obama rising sun-logo was a breakthrough in modern campaign design, an iconic image from the moment it was first unveiled.

And the buzz hasn’t ended with the campaign. On Thursday evening a crowd gathered at San Francisco’s Academy of Art University for Designing Obama,” a sold-out lecture given by the men behind the symbol—Sol Sender, the logo designer, and Scott Thomas, the director of new media design. There’s a pretty thorough rundown of Sender’s presentation on his company website, giving a summary of the design process, and a rundown of all the rejected images.

The final Obama logo entered back into public debate when it was ripped off by Pepsi. The company claimed their redesign was completely independent of the campaign’s logo, until they began plastering the eerily similar image on billboards reading “Hope” in cities across the nation. However, Sender claims the success of the logo has more to do with the momentum behind its message than the image itself. “One of the really magical aspects was that people just took
[the design] and did all these things with it…a brand like Pepsi would kill for
that,” explains Sender.

The most informative moment of the lecture took place during the Q&A section. The art-student  crowd was anxious to know if Obama’s design aesthetic would usher in a new need for exciting graphic design in the political sphere. Surprisingly both designers were skeptical. “I’m not sure you can do a transformative thing like this unless you have a really transformative candidate,” says Sender. Neither Sender nor Thomas have any plans to continue on with campaign design: Sender has returned to his firm, and Thomas is working on a book about his experience.

And you certainly won’t see Thomas’s mark on the whitehouse.gov sight. According to Thomas, the Bush administration extended their web designer’s contract for two years into Obama’s term. So until then, it’s just same old.

DOES IT FEEL LIKE POLITICS IS AT A BREAKING POINT?

Headshot of Editor in Chief of Mother Jones, Clara Jeffery

It sure feels that way to me, and here at Mother Jones, we’ve been thinking a lot about what journalism needs to do differently, and how we can have the biggest impact.

We kept coming back to one word: corruption. Democracy and the rule of law being undermined by those with wealth and power for their own gain. So we're launching an ambitious Mother Jones Corruption Project to do deep, time-intensive reporting on systemic corruption, and asking the MoJo community to help crowdfund it.

We aim to hire, build a team, and give them the time and space needed to understand how we got here and how we might get out. We want to dig into the forces and decisions that have allowed massive conflicts of interest, influence peddling, and win-at-all-costs politics to flourish.

It's unlike anything we've done, and we have seed funding to get started, but we're looking to raise $500,000 from readers by July when we'll be making key budgeting decisions—and the more resources we have by then, the deeper we can dig. If our plan sounds good to you, please help kickstart it with a tax-deductible donation today.

Thanks for reading—whether or not you can pitch in today, or ever, I'm glad you're with us.

Signed by Clara Jeffery

Clara Jeffery, Editor-in-Chief

payment methods

We Recommend

Latest