Composer Noveller’s Otherworldly Soundscapes

Impermanence is the point on albums “Glacial Glow” and “No Dreams.”

Glacial Glow and No Dreams

Courtesy of Fire Records

Anyone who was transfixed by the otherworldly beauty of Noveller’s liquid ambient soundscapes on the immersive 2015 album Fantastic Planet will want to check out the reissues of her two previous efforts. The equally spellbinding Glacial Glow (2011) and No Dreams (2013) find Noveller, aka Sarah Lipstate, subjecting her electric guitars to a host of sound-altering effects, creating intriguing noise suggesting strings, synths, full orchestras and primal rumblings from the subconscious. The mood flows gradually from pastoral to anxious and back, impermanence being the point. Just when you start to get comfortable, everything shifts, creating a sense of heightened alertness that’s both exhilarating and unsettling.


Headshot of Editor in Chief of Mother Jones, Clara Jeffery

It sure feels that way to me, and here at Mother Jones, we’ve been thinking a lot about what journalism needs to do differently, and how we can have the biggest impact.

We kept coming back to one word: corruption. Democracy and the rule of law being undermined by those with wealth and power for their own gain. So we're launching an ambitious Mother Jones Corruption Project to do deep, time-intensive reporting on systemic corruption, and asking the MoJo community to help crowdfund it.

We aim to hire, build a team, and give them the time and space needed to understand how we got here and how we might get out. We want to dig into the forces and decisions that have allowed massive conflicts of interest, influence peddling, and win-at-all-costs politics to flourish.

It's unlike anything we've done, and we have seed funding to get started, but we're looking to raise $500,000 from readers by July when we'll be making key budgeting decisions—and the more resources we have by then, the deeper we can dig. If our plan sounds good to you, please help kickstart it with a tax-deductible donation today.

Thanks for reading—whether or not you can pitch in today, or ever, I'm glad you're with us.

Signed by Clara Jeffery

Clara Jeffery, Editor-in-Chief

payment methods

We Recommend