Lunchtime Photo

I’m sure you’ve noticed that I’ve been playing around with the occasional black-and-white photo lately. It’s hard! I haven’t shot black and white for 40 years, and really, I don’t suppose I was all that good at it in the first place, back when I was a teenager. The darkroom stuff was fun, though.

Anyway, this is a picture of…I dunno. Maybe Mt. Pilchuck? It’s in Washington State east of Everett, more or less, so that’s my best guess. The interesting thing is that this was a terrible photo in color. No matter what I did, it just wasn’t any good. In black and white, though, it’s not bad. It’s still not great, but it’s perfectly respectable.

I’m the farthest thing in the world from a black-and-white nazi. I think most photographs, just like most paintings and most movies, are better in color. But sometimes black and white really is better, usually in cases where the colors are subdued and relatively uniform, and therefore do little except to draw your attention away from the play of light and shadow. This is an example.

BY THE WAY: This was shot through a car window traveling north on I5.

March 17, 2018 — Everett, Washington


Headshot of Editor in Chief of Mother Jones, Clara Jeffery

It sure feels that way to me, and here at Mother Jones, we’ve been thinking a lot about what journalism needs to do differently, and how we can have the biggest impact.

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It's unlike anything we've done, and we have seed funding to get started, but we're looking to raise $500,000 from readers by July when we'll be making key budgeting decisions—and the more resources we have by then, the deeper we can dig. If our plan sounds good to you, please help kickstart it with a tax-deductible donation today.

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Signed by Clara Jeffery

Clara Jeffery, Editor-in-Chief

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